Cross the little causeway onto Glen Island and something changes — the water opens up on both sides, the trees close in overhead, and by the time you reach the white rotunda at the end of the drive, the rest of Westchester feels very far away. A Glen Island Harbour Club wedding comes with things almost no other venue near New York City can offer at once: a glass-walled ballroom set directly on Long Island Sound, a hundred acres of island parkland for portraits, and the feeling of having the whole place to yourselves.

We've photographed here in March cold and August heat, under autumn beeches and June willows. This post gathers eight of our favorite Glen Island weddings — eight couples, four years, every season — along with our planning tips for the venue. If you're considering Glen Island, start here. And if you're weighing waterfront venues more broadly, our Surf Club on the Sound feature and luxury NYC wedding guide are good companions.

Why Couples Choose Glen Island

At Glen Island Harbour Club, the ceremony room does the heavy lifting: a domed glass pavilion where the aisle runs toward panoramic windows and the Sound sits just beyond your chuppah. Morning light is soft here, sunset pours straight across the water, and the room photographs beautifully whether it's dressed in all-white florals or terracotta roses. Outside, the island itself is the second venue — weeping willows, a stone castle ruin, a marina full of sailboats, and a seawall path that runs along the water for golden-hour portraits.

The Welcome to Glen Island Harbour Club sign at the park entrance, with the road curving toward the water.
The Glen Island Harbour Club sign in its flower bed, the rotunda rising behind.
A suspended floral chuppah floats above the aisle in the glass ceremony room before guests arrive.
The ceremony aisle waits, lined with white florals on lucite stands and gold chairs.

Orly & Jeremy — A March Wedding That Felt Like Spring

Orly and Jeremy married in mid-March, when the island is all bare branches and big skies — and used every bit of it. We started at the stone castle on the north shore, worked along the pond where the trees doubled themselves in still water, and ended the portrait session with a sunset so golden it felt borrowed from June. Their ceremony under a rose-covered chuppah in the solarium was livestreamed for family who couldn't travel, and the first dance set dissolved into full shtick — streamer arches, and both of them airborne over the hora. Three hundred fifteen guests never sat down.

A kiss beside the historic stone castle structure on Glen Island.
The couple stands at the pond's edge in early spring, bare trees mirrored in the water.
The groom kisses the bride's hand on the rocky shoreline of Long Island Sound.
A high-key black and white frame of the bride twirling her gown on the rocks.
Bouquet in hand, the bride walks the seawall path along the Sound.
A rose-covered chuppah stands ready in the solarium, water views wrapping the room.
Seen from behind in black and white, the veiled bride stands beside the groom under the chuppah.
The groom kisses the bride's temple outside the venue's glass pavilion.
Backlit by a golden March sunset, the couple stands forehead to forehead.
Orly and Jeremy pose before the rotunda of Glen Island Harbour Club.
Hand in hand, the couple strolls the pond-side stone wall.
The couple dips into a dance move outdoors in black and white.
Friends raise a streamer arch over the laughing couple during the first dance set's shtick.
Bride and groom are lifted above the crowd during a roaring hora.

Rebecca & Maor — First Look at the Willow, Sunset on the Seawall

Rebecca's morning started with bridesmaids in matching navy pajamas and a bottle of champagne on the staircase; her afternoon started with her father seeing her first, a quiet moment they'd planned before the bigger reveal. The first look with Maor happened out on the seawall — his reaction is one of our favorite frames of that whole June. There were two tischen that day, hers and his, before the moms and friends walked her to the bedeken. After a chuppah ceremony in white florals — Maor in his kittel — we stole them away at six for a sunset session under the willows, exactly the spots they'd scouted: the willow tree, the castle, the boat lookout.

Bridesmaids in navy pajamas pop champagne on the staircase while getting ready.
Moments before the first look on the seawall, photographed in black and white.
The groom's face lights up as he turns for the first look.
The bride stands beneath a curtain of willow branches on the island's lawn.
The couple pauses under a tall June willow, bouquet of white blooms in hand.
Hand in hand, the newlyweds-to-be stroll the park paths after their first look.
The couple stands at the pond cove near the boat lookout, water still as glass.
Walking the seawall under a towering summer sky on Long Island Sound.
Rebecca and Maor celebrate at the tisch, white orchid branches framing the moment.
The bride's father walks her down the aisle as guests stand on both sides.
The groom in a white kittel faces his bride beneath the white floral chuppah.
The ceremony aisle waits, lined with white florals on lucite stands and gold chairs.
A towering white-blossom branch centerpiece anchors the reception table.
The groom twirls his bride in a black and white first-dance frame.

Hannah & Philip — Late November, All Amber and White

A November wedding at Glen Island is a well-kept secret: the weeping beeches turn amber, the light stays low and soft all day, and the glass ballroom glows against the early dusk. Hannah and Philip leaned into all of it. We photographed them under the last of the fall color, on the grand staircase beneath the dome, and in one graphic black-and-white frame that's just her shadow on the stairwell wall. Their ceremony brought 325 guests to their feet as Hannah came down the aisle toward an all-white floral chuppah — and the night ended with a first dance framed in cold-spark fountains.

The groom's tuxedo jacket and patent shoes hang beside a glowing sconce before the day begins.
The bride descends the grand staircase beneath the rotunda dome, gown trailing behind her.
Seen from above in black and white, the couple embraces on the sweeping spiral staircase.
The bride's silhouette falls across the staircase wall in a graphic black and white frame.
The couple stands beneath a weeping beech in full amber autumn color on Glen Island.
In long lace sleeves, the bride leans into the groom among golden autumn leaves.
A kiss beneath golden foliage on the island's parkland.
The bride wraps her arms around the groom on the waterfront path in soft November light.
The couple pauses on a stone outcrop beneath bare branches, her veil catching the breeze.
The bride gathers her train on a November park path in Westchester.
Hannah walks the aisle toward Philip and the white floral chuppah as guests rise.
An all-white floral chuppah fills the domed ballroom, Long Island Sound visible through the glass.
Tall crimson and blush centerpieces set a rich late-autumn palette in the reception room.
The couple's first dance framed by cold-spark fountains.

Rachel & Daniel — Private Vows and a Marina in May

Rachel got ready twenty-five minutes away and finished dressing at the venue itself — which meant her portraits started in Glen Island's white marble hallways and spilled straight out to the marina, where sailboat masts made the backdrop for some of the day's best frames. Before the ceremony, they exchanged private vows beneath a chuppah draped in a tallit and wrapped in baby's breath, parents at their sides. Then the doors opened: 250 guests, a dome full of light, a recessional with Rachel swinging a baby's-breath pomander, and a hora that put her on a chair with a handkerchief in the air.

The bride stands framed in a white paneled doorway before the ceremony.
A black and white kiss in the mansion's white marble hallway.
A kiss on the marina boardwalk, sailboat masts rising behind them.
The bride and groom lean on the harbor railing with the New Rochelle bridge beyond.
A kiss beneath the weeping willow, her beaded veil spread across the grass.
The bride rests her cheek on the groom's shoulder in the shade of a willow.
A dreamy portrait photographed through the bride's veil.
The groom leans in for a kiss behind the bride's white rose bouquet.
The bridal party cheers with bouquets raised as the couple kisses on the lawn.
Rachel and Daniel exchange private vows beneath the rose-garland chuppah with their parents beside them.
Under a tallit-draped chuppah wrapped in baby's breath, the couple stands together.
The full ceremony under the domed ceiling, panoramic windows opening to the water.
The bride swings her baby's breath pomander as the newlyweds dance back up the aisle.
A dramatic black and white dip kiss in the middle of the reception.
The bride rises on a chair, handkerchief in hand, as the hora swirls below.

Eliana & Elan — 375 Guests and a Floating Chuppah

Eliana and Elan filled the island — 375 guests, one of the largest celebrations we've photographed here — and the ceremony room rose to it with a chuppah of suspended florals floating above the aisle. The quiet moments held their own against the scale: Elan alone in silhouette at the floor-to-ceiling windows before the kabbalat panim; a dedicated first look for Eliana's dad; the two of them under the willows with her lace train across the grass. After dark we brought them out front for one last frame beneath the illuminated rotunda, and the hora that followed nearly reached the ceiling.

The bride lifts her gown from the spiral staircase in the mansion's marble foyer.
The groom stands in silhouette at the floor-to-ceiling windows overlooking the water.
Eliana and Elan embrace beneath a willow on Glen Island, her lace train spread across the grass.
A black and white portrait of the bride in long lace sleeves beneath the leaves.
The couple strolls together beneath the willows on the island's park lawn.
Hand in hand, bride and groom walk away down a wooded path in Westchester.
The bride holds her bouquet in a soft veil portrait on the summer lawn.
The bride reclines on a white sofa before a lush floral installation.
Friends and family surround the bride at the kabbalat panim, her veil spread wide.
A suspended floral chuppah floats above the aisle in the glass ceremony room before guests arrive.
A wide view of the ceremony in full swing, aisle florals and gold chairs filling the glass ballroom.
Blush garden-style centerpieces and candlelight dress the reception table.
The couple poses at night before the warmly illuminated rotunda of Glen Island Harbour Club.
The bride is lifted high on a chair during the hora as the crowd dances below.

Dana & Mark — August on the Water

Dana and Mark's late-August day was built for the waterfront: portraits along the promenade with the marina and bridge behind them, her cathedral veil catching the Sound breeze, and a first look at the stone seawall where her train spread toward the water. Mark wore a kittel under a white floral chuppah in the glass ballroom, and by night the party had spilled from suspenders-on-the-dance-floor to a quiet lantern-lit moment on the balcony — 335 guests inside, and the two of them alone out there for a minute with the harbor lights.

Bride reaches for her gown hanging from the staircase railing while getting ready at Glen Island Harbour Club.
The bride arranges her lace gown while seated on a cream sofa before the ceremony.
The couple stands at the stone seawall with the bride's train spread toward Long Island Sound.
A kiss on the New Rochelle waterfront promenade with the marina and bridge behind.
Wrapped together in her flowing cathedral veil, the couple shares a close kiss.
Forehead to forehead beneath her veil, the couple pauses outdoors in black and white.
The groom lifts his bride on the great lawn in front of Glen Island's rotunda mansion.
The bride poses alone on the lawn, her long veil trailing before the rotunda facade.
A white floral chuppah stands in the glass-walled ballroom with gold chairs and Long Island Sound beyond the windows.
The groom in a traditional white kittel stands with his veiled bride under the chuppah as guests look on.
Dana and Mark beam as they walk back up the aisle married at Glen Island Harbour Club.
A candlelit reception table set with white florals and sage green napkins in the ballroom.
Bride and groom descend the gold-railed staircase beneath sculptural coral wall art.
The groom in suspenders dances with his bride in the middle of a packed dance floor.
A black and white dip kiss on the dance floor, surrounded by cheering guests.
The newlyweds share a quiet embrace on the balcony at night, lit by a single lantern.

Lianne & Alec — Terracotta Roses and a Commissioned Ketubah

Lianne and Alec's palette — mauve, blush, and sage — reimagined the glass rotunda entirely, with a chuppah of terracotta and garden roses that glowed against the water. Their kabbalat panim filled a gold-draped room built around towering hydrangea arrangements, and their ketubah was a commissioned piece of art they'll frame at home. Portrait-wise, August gave us everything: the shoreline lawn with a kayaker sliding by, the seawall in black and white, and one lift on the mansion lawn that made the whole bridal party cheer from the balconies.

The Glen Island Harbour Club sign in its flower bed, the rotunda rising behind.
Under her veil beneath the green canopy, the couple stands cheek to cheek.
An August kiss on the shoreline lawn, a kayaker gliding past on the Sound.
A black and white portrait at the seawall overlooking the water.
Walking the seawall hand in hand in black and white.
The groom lifts his bride on the mansion lawn beneath the white balconies.
Guests fill the gold-draped room for the kabbalat panim.
The badeken stage set in gold drapery, loveseat flanked by blush and cream florals.
The couple poses before the gold drapery and towering hydrangea arrangements of the badeken stage.
A chuppah of terracotta and mauve roses stands in the glass rotunda before the ceremony.
Lianne and Alec share their first married kiss beneath the rose chuppah.
The newlyweds head back up the rose-lined aisle to cheers.

Emma & Adam — A Garden Party in Pink and Sage

The most recent of the eight, Emma and Adam's May wedding turned Glen Island into a garden party — light pink and sage green, peonies on every arch, and a full traditional arc from tisch and bedeken through the breaking of the plate, mincha, chuppah, and yichud. Adam's face at the bedeken, Emma's cathedral veil filling the aisle behind her, the ceremony glimpsed through a doorway across the room — the day gave us frames we'll be showing couples for years. Portraits happened along the island's tree-lined paths and the rocky cove, including a black-and-white beneath the weeping beech that might be our favorite embrace ever made at this venue.

The bride stands before the oval mirror in the mansion's white marble hallway, train pooled behind her.
The bride pauses to smell pink peonies woven into the floral arch.
The groom smiles at his veiled bride during the bedeken, her peony bouquet in hand.
Bride and groom walk the tree-lined path through Glen Island's park after their first look.
A black and white embrace beneath the weeping beech, the bride's train sweeping the grass.
Beneath the willow canopy, the groom draws his bride close.
The couple appears small between towering trees on the island path.
The couple embraces at the seawall under soft overcast light on Long Island Sound.
Bride and groom stand together on the rocky cove shoreline of the island.
Emma's cathedral veil fills the aisle as she and Adam stand before the chuppah.
The chuppah ceremony glimpsed through a framed doorway, guests filling the glass room.
A black and white moment under the chuppah as the couple stands with their parents.
A kiss in the middle of the packed dance floor mid-celebration.

Planning Tips From Your Photographer

Build your timeline around the water light. The ceremony room and the best portrait spots face the Sound, which means late-afternoon sun comes straight across the water. If your ceremony is at 5:00 or later, plan your couple session for the hour before the invite — and if your date allows it, steal ten minutes at sunset like Rebecca and Maor did. In summer, ask us about a quick night frame in front of the illuminated rotunda; it's worth the five minutes.

The island is your second venue — use it. Within a short walk you have the weeping willows and beech trees, the stone castle, the marina boardwalk, the seawall, and the pond. Couples who allow 60–90 minutes for portraits get four completely different backdrops without a single car ride. In November the beeches go amber; in June the willows are at their fullest.

Let the glass room breathe. The domed ceremony pavilion already has the Sound as its backdrop, so florals read best when they frame the view rather than cover it — a floating installation like Eliana and Elan's, or a low-profile chuppah like Lianne and Alec's terracotta roses. And because the room is all windows, an earlier ceremony means natural light on every guest's face — no uplighting required.

The Vendors

Eight weddings, eight brilliant teams. Endless gratitude to the vendors who built these days.

Orly & Jeremy

Planning · Ariana Dalezman  Florals · Arcadia Floral  Dress · Pnina Tornai

Hair · Laura Artusa  Makeup · Bruchie Herbst  Band · Avi Maza Orchestra  Catering · Prestige

Rebecca & Maor

Florals · Arcadia Floral  Dress · Anne Barge via Wedding Salon of Manhasset

Hair · Symmetry Beauty Salon  Makeup · Devra Bader  Band · Faze 4 Orchestras  Catering · Genadeen Caterers

Hannah & Philip

Florals · Gold Flowers  Dress · Suzanne Neville

Hair · Katie Forecast  Makeup · Rena Fust  Band · Avi Maza  Catering · Genadeen Caterers

Rachel & Daniel

Florals · Acadia Flowers  Dress · Paula Varsalona

Hair · Cherise  Makeup · Stacy  Band · Next Faze  Catering · Glen Island Harbour Club

Eliana & Elan

Florals · Dalsimer Spitz & Peck  Dress · Lavan Bridal Couture

Hair · Laura Toole  Makeup · Ashley Baruch  Band · Avi Perets  Catering · Main Event Mauzone

Dana & Mark

Planning · Suri Brody  Hair · Andria Tobey  Makeup · Katie Forecast

Band · Kolplay  Catering · Ephis

Lianne & Alec

Planning · Yael Carmi, Medici Events  Florals · Papaya Events  Dress · Vera Wang  Ketubah Art · Arielle Hadad Art

Hair · Johnny Haegar  Makeup · Katie Forecast

Emma & Adam

Planning · Amy Goldman  Florals · Papaya Events  Dress · Sareh Nouri

Hair · Laura Artusa Hair  Makeup · Makeup by Batya  Band · Krohma  DJ · DJ Roy  Catering · Prime Events by Mindel Chaya

Photography & Film · Alex Knight Studio — all eight

Planning a Glen Island Harbour Club Wedding?

We know this island the way you know your own backyard — where the light lands in March and where it lands in November, which willow photographs best at which hour, and how to keep a 375-guest celebration feeling intimate. If you're getting married at Glen Island Harbour Club, we would love to hear about your day. Inquire here — or book a call and let's talk it through.