Cross the little causeway onto Glen Island and something changes — the water opens up on both sides, the trees close in overhead, and by the time you reach the white rotunda at the end of the drive, the rest of Westchester feels very far away. A Glen Island Harbour Club wedding comes with things almost no other venue near New York City can offer at once: a glass-walled ballroom set directly on Long Island Sound, a hundred acres of island parkland for portraits, and the feeling of having the whole place to yourselves.
We've photographed here in March cold and August heat, under autumn beeches and June willows. This post gathers eight of our favorite Glen Island weddings — eight couples, four years, every season — along with our planning tips for the venue. If you're considering Glen Island, start here. And if you're weighing waterfront venues more broadly, our Surf Club on the Sound feature and luxury NYC wedding guide are good companions.
Why Couples Choose Glen Island
At Glen Island Harbour Club, the ceremony room does the heavy lifting: a domed glass pavilion where the aisle runs toward panoramic windows and the Sound sits just beyond your chuppah. Morning light is soft here, sunset pours straight across the water, and the room photographs beautifully whether it's dressed in all-white florals or terracotta roses. Outside, the island itself is the second venue — weeping willows, a stone castle ruin, a marina full of sailboats, and a seawall path that runs along the water for golden-hour portraits.




Orly & Jeremy — A March Wedding That Felt Like Spring
Orly and Jeremy married in mid-March, when the island is all bare branches and big skies — and used every bit of it. We started at the stone castle on the north shore, worked along the pond where the trees doubled themselves in still water, and ended the portrait session with a sunset so golden it felt borrowed from June. Their ceremony under a rose-covered chuppah in the solarium was livestreamed for family who couldn't travel, and the first dance set dissolved into full shtick — streamer arches, and both of them airborne over the hora. Three hundred fifteen guests never sat down.














Rebecca & Maor — First Look at the Willow, Sunset on the Seawall
Rebecca's morning started with bridesmaids in matching navy pajamas and a bottle of champagne on the staircase; her afternoon started with her father seeing her first, a quiet moment they'd planned before the bigger reveal. The first look with Maor happened out on the seawall — his reaction is one of our favorite frames of that whole June. There were two tischen that day, hers and his, before the moms and friends walked her to the bedeken. After a chuppah ceremony in white florals — Maor in his kittel — we stole them away at six for a sunset session under the willows, exactly the spots they'd scouted: the willow tree, the castle, the boat lookout.














Hannah & Philip — Late November, All Amber and White
A November wedding at Glen Island is a well-kept secret: the weeping beeches turn amber, the light stays low and soft all day, and the glass ballroom glows against the early dusk. Hannah and Philip leaned into all of it. We photographed them under the last of the fall color, on the grand staircase beneath the dome, and in one graphic black-and-white frame that's just her shadow on the stairwell wall. Their ceremony brought 325 guests to their feet as Hannah came down the aisle toward an all-white floral chuppah — and the night ended with a first dance framed in cold-spark fountains.














Rachel & Daniel — Private Vows and a Marina in May
Rachel got ready twenty-five minutes away and finished dressing at the venue itself — which meant her portraits started in Glen Island's white marble hallways and spilled straight out to the marina, where sailboat masts made the backdrop for some of the day's best frames. Before the ceremony, they exchanged private vows beneath a chuppah draped in a tallit and wrapped in baby's breath, parents at their sides. Then the doors opened: 250 guests, a dome full of light, a recessional with Rachel swinging a baby's-breath pomander, and a hora that put her on a chair with a handkerchief in the air.















Eliana & Elan — 375 Guests and a Floating Chuppah
Eliana and Elan filled the island — 375 guests, one of the largest celebrations we've photographed here — and the ceremony room rose to it with a chuppah of suspended florals floating above the aisle. The quiet moments held their own against the scale: Elan alone in silhouette at the floor-to-ceiling windows before the kabbalat panim; a dedicated first look for Eliana's dad; the two of them under the willows with her lace train across the grass. After dark we brought them out front for one last frame beneath the illuminated rotunda, and the hora that followed nearly reached the ceiling.














Dana & Mark — August on the Water
Dana and Mark's late-August day was built for the waterfront: portraits along the promenade with the marina and bridge behind them, her cathedral veil catching the Sound breeze, and a first look at the stone seawall where her train spread toward the water. Mark wore a kittel under a white floral chuppah in the glass ballroom, and by night the party had spilled from suspenders-on-the-dance-floor to a quiet lantern-lit moment on the balcony — 335 guests inside, and the two of them alone out there for a minute with the harbor lights.
















Lianne & Alec — Terracotta Roses and a Commissioned Ketubah
Lianne and Alec's palette — mauve, blush, and sage — reimagined the glass rotunda entirely, with a chuppah of terracotta and garden roses that glowed against the water. Their kabbalat panim filled a gold-draped room built around towering hydrangea arrangements, and their ketubah was a commissioned piece of art they'll frame at home. Portrait-wise, August gave us everything: the shoreline lawn with a kayaker sliding by, the seawall in black and white, and one lift on the mansion lawn that made the whole bridal party cheer from the balconies.












Emma & Adam — A Garden Party in Pink and Sage
The most recent of the eight, Emma and Adam's May wedding turned Glen Island into a garden party — light pink and sage green, peonies on every arch, and a full traditional arc from tisch and bedeken through the breaking of the plate, mincha, chuppah, and yichud. Adam's face at the bedeken, Emma's cathedral veil filling the aisle behind her, the ceremony glimpsed through a doorway across the room — the day gave us frames we'll be showing couples for years. Portraits happened along the island's tree-lined paths and the rocky cove, including a black-and-white beneath the weeping beech that might be our favorite embrace ever made at this venue.













Planning Tips From Your Photographer
Build your timeline around the water light. The ceremony room and the best portrait spots face the Sound, which means late-afternoon sun comes straight across the water. If your ceremony is at 5:00 or later, plan your couple session for the hour before the invite — and if your date allows it, steal ten minutes at sunset like Rebecca and Maor did. In summer, ask us about a quick night frame in front of the illuminated rotunda; it's worth the five minutes.
The island is your second venue — use it. Within a short walk you have the weeping willows and beech trees, the stone castle, the marina boardwalk, the seawall, and the pond. Couples who allow 60–90 minutes for portraits get four completely different backdrops without a single car ride. In November the beeches go amber; in June the willows are at their fullest.
Let the glass room breathe. The domed ceremony pavilion already has the Sound as its backdrop, so florals read best when they frame the view rather than cover it — a floating installation like Eliana and Elan's, or a low-profile chuppah like Lianne and Alec's terracotta roses. And because the room is all windows, an earlier ceremony means natural light on every guest's face — no uplighting required.
The Vendors
Eight weddings, eight brilliant teams. Endless gratitude to the vendors who built these days.
Orly & Jeremy
Planning · Ariana Dalezman Florals · Arcadia Floral Dress · Pnina Tornai
Hair · Laura Artusa Makeup · Bruchie Herbst Band · Avi Maza Orchestra Catering · Prestige
Rebecca & Maor
Florals · Arcadia Floral Dress · Anne Barge via Wedding Salon of Manhasset
Hair · Symmetry Beauty Salon Makeup · Devra Bader Band · Faze 4 Orchestras Catering · Genadeen Caterers
Hannah & Philip
Florals · Gold Flowers Dress · Suzanne Neville
Hair · Katie Forecast Makeup · Rena Fust Band · Avi Maza Catering · Genadeen Caterers
Rachel & Daniel
Florals · Acadia Flowers Dress · Paula Varsalona
Hair · Cherise Makeup · Stacy Band · Next Faze Catering · Glen Island Harbour Club
Eliana & Elan
Florals · Dalsimer Spitz & Peck Dress · Lavan Bridal Couture
Hair · Laura Toole Makeup · Ashley Baruch Band · Avi Perets Catering · Main Event Mauzone
Dana & Mark
Planning · Suri Brody Hair · Andria Tobey Makeup · Katie Forecast
Lianne & Alec
Planning · Yael Carmi, Medici Events Florals · Papaya Events Dress · Vera Wang Ketubah Art · Arielle Hadad Art
Hair · Johnny Haegar Makeup · Katie Forecast
Emma & Adam
Planning · Amy Goldman Florals · Papaya Events Dress · Sareh Nouri
Hair · Laura Artusa Hair Makeup · Makeup by Batya Band · Krohma DJ · DJ Roy Catering · Prime Events by Mindel Chaya
Photography & Film · Alex Knight Studio — all eight
Planning a Glen Island Harbour Club Wedding?
We know this island the way you know your own backyard — where the light lands in March and where it lands in November, which willow photographs best at which hour, and how to keep a 375-guest celebration feeling intimate. If you're getting married at Glen Island Harbour Club, we would love to hear about your day. Inquire here — or book a call and let's talk it through.